First time a Blender-made production has won the Golden Globe
52 comments
·January 7, 2025lauriswtf
lauriswtf
Also, it’s by far the smallest-budget movie to win a Golden Globe – 10x less than the next animated Golden Globe winner.
Chart: https://x.com/anjo_lv/status/1876313785084125270/photo/1
belter
"The animation of Flow — Blender Conference 2024" - https://youtu.be/fxz6p-QATfs
raxxor
That should finally put arguments that Blender would not be "production ready" to rest.
Although to be fair, Blender did awesome jumps in capability in recent time. Love the tool, I wish them the best. Certainly a deserved success.
For a gaming company it should also be the tool of choice because user content still is part of the most successful games. There are many arguments to revisit your toolchain if you do not yet use Blender.
dagmx
It’s been production ready for ages but that’s a nebulous distinction.
Different studios have very different needs for scaling their production. Blenders suitability varies greatly by the project and needs. For example, it’s used on Spiderverse for specific things but cannot scale to do the entire animation production yet.
Your second point about user generated content makes no sense imho. Games don’t use DCC files for runtime. They will have their own runtime formats that are generated during the build. Blender is just an unsuitable or suitable as any other DCC in that regard.
raxxor
Yes, you need the game specific runtime formats and for user generated content the toolchain used is relevant. Some of the most popular games with modding support had model and animation import locked behind proprietary solutions that were used when the games were created. Nothing wrong here, but if this toolchain used more open tools, the entry barrier is lowered and import/export would be much easier.
Sure, at some point people created specific plugins for Blender as well, but it creates additional hurdles. And the middleware used is also important. Havok did pose problems for import/export of models in Blender. Of course these are other licensing constraints again that are not only affecting Blender.
jtode
Have a look at NextGen and Maya And The Three on Netflix. Both were produced with Blender as the central 3D tool by my old employer, Tangent Animation. We delivered Maya in 2021; Blender has been in production for years.
Tangent produced feature animation, but also was working on an asset manager product, which is now owned by Autodesk after Tangent went under. Our animators doubled as dog food tasters. I mention this because the execs were 100% very much out to make a profit from this enterprise - I myself was living my wet dream because I am Free Software zealot, but they were looking to turn a profit from it all, and even these fiscally-motivated folks were frequently heard to say that "Blender is the future" because everyone there understood that that is the case.
Expect more Blender movies.
Farfignoggen
That should be restated as "Production Ready" for the average user that's not Linux Neck-beard Class for Graphics driver Dark Arts! And Blender 3D(3.0/Later) has a definite eWaste component for Older Hardware ever since OpenCL was dropped as the iGPU/dGPU compute acceleration API in favor of PTX/Nvidia and Apple Metal!
Any Movie Production may have the ability to hire some consultant to get past some of the issues that pop up so it's more and issue of is Blender 3D actually Turn-Key for the average end user?
xipho
It's been production ready (if that means something) for years. Used in one of the biggest movies in the world, RRR a while back, etc. etc.
[RRR](https://www.blender.org/user-stories/visual-effects-for-the-...)
marcodiego
> That should finally put arguments that Blender would not be "production ready" to rest.
I dream so, but to this day I still have to explain things to people who say "if Linux is free then it has no value."
a1o
I found an interesting video on YouTube from Blender Conference
Narann
I had the chance to work with Léo at its first job (Princes et Princesses from Michel Ocelot). It’s a wonderful guy, very fun and pleasant to work with.
TBH, the rest of the Ocelot’s team was the smoother peoples I had opportunity to work with.
xkzx
As a person from Latvia who uses blender, I am quite proud of this achievement. Saw the film a month ago, it is truly great and will certainly watch it again. Suggested to all ages.
I think with the popularity and the new budget they will rerender it, as it could be better.
jansan
In Germany it will not be released before March this year. This is a bit confusing, but maybe they are actually rerendering it before the release on this relatively big market.
cf100clunk
An interview with Flow's director linked here:
belter
Don't forget to donate to the Blender fund: https://fund.blender.org/
Farfignoggen
Is anyone testing Blender 3D 2.93(OpenCL is still the GPU Compute API on that now legacy Blender edition) on Linux to see if it works for iGPU/dGPU accelerated Cycles rendering on older Vega/Polaris iGPU/dGPU hardware! And That's with Rusticl/Mesa and that a more modern Linux OpenCL implementation on Linux!
And I'm trying out an Extracted/Non Installed version of Blender 4.3.2 on a Laptop(Mint 21.3) with Ryzen 3550H/Vega 8 Integrated Graphics and a Polaris RX560X dGPU but when I try the DRI_Prime=1(Offload to the Polaris dGPU) setting to run Blender 4.3.2 via a console session that locks up on that laptop when trying to use the Blender 3D UI! Is there some difference in Installed Blender and just the extracted version that gives the Application better access to the GPU/GPU-ID subsystems on Linux(Kernel)?
Blender 4.3.2's Eevee is nice but there's not the same level of Ray Tracing/Render Passes capability on Blender Eevee as there is With Blender Cycles.
openrisk
I enjoyed the film without knowing much about it and then my jaw dropped when I saw Blender in the credits.
reimertz
I watched this movie a couple of days ago and it really touched me. Might be that we just got a cute little cat. But the story-telling, visuals, animations.. It was just so very beautiful.
Please go see it.
chrisBob
It also looks like it was made in Blender, and it will impact what people think of Blender even if the style is a choice rather than being dictated by the software.
Just like live action can be shot on everything from super-8 to digital IMAX, the story telling is the most important part of a film. There is absolutely no reason not to use Blender if it works for you and your time/talent/computation budget.
Lockal
[citation needed]
I mean, how can we know the tools that were used in production of every film?
As mentioned in the article: "Since the creation of the animated feature Oscar in 2001, Disney/Pixar has never gone more than two years without winning", but Pixar uses Blender too[1]. Also the whole scene today is not as simple, Pixar affects Blender via OpenSubdiv and OpenUSD, allowing to reuse assets in different software.
[1] https://www.blender.org/news/blenders-impact-in-film/#:~:tex....
Here are more details about the movie if you are curious:
- https://hollymotion.com/en/flow_cinema_blender_en/
- https://www.youtube.com/watch?v=yw-a7buP4KA
Amazing movie by the way. It's been in cinemas here in Latvia for 5 months already and been sold out ever since.