Jokes and Humour in the Public Android API

I agree with you. The dinosaur game in Chrome is the classic example; turned off because schools threatened to not buy Chromebooks if kids could play a game in the browser. At least it seems to be a setting now, so your individual locality can decide if fun is allowed.

I don't mind either personally, but I've had a few occasions where such things have caused issues with engineers that didn't have English as a 1st language.

A fair bit of time was wasted on trying to understand some joke/pun code and variable names, and on another occasion, spending the best part of a day working on something because they took some sarcasm in code/comments literally.

There's a middle ground for sure. I've left a few witty comments and loglines in my time.

But I've also had to debug a Delphi unit which returned error codes inspired by the magical supercomputer Hex from the Discworld novels.

"Divide by cucumber error" is not a decent enough representation of a module's internal state, no matter how funny you think you are.

Who cares what happens after you’ve passed away. You’re dead.

I think you hit the nail on the head there, you and the author are simply from different cultural zeitgeists. I also remember Star Trek and Dr Who being a big deal, but I was entirely too young to care. And I continue not to care, since I don't watch live action shows much. Never seen an episode of Friends or Game of Thrones either for example. Just a starkly different generation and subculture.

> the other sci-fi/nerdy stuff I was into

I guess that’s your answer. People have different interests and as such there’s a virtually unlimited number of culture combinations that people can be into. And people can have white spots in places that are surprising to others, there’s only so much time.

It’s tricorder not tricoder.

Adding to the comments: Not an American, but like others here watched TNG every day after school, and TOS before that. Many other people my age did, for example my wife.

BTW, we have watched with our sons all of TNG and DS9 for the last 3 years, and our eldest is now deeply familiar with Star Trek as a result. Very few of his peers are familiar with it, though.

Are you sure?

I'm Italian and we had Star Trek (all the films, all the shows, many of the books), and apparently the Star Trek Italian Club[0] was funded in 1982. I think Spock and Kirk were quite familiar to most people, and for sure as a nerd in the '00s everybody understood the joke of showing Bill Gates as a Borg on Slashdot.

[0] https://stic.it/

Very big in Germany imo. I came back from school and always watched back to back TNG and MacGyver. TNG and DS9 were big and aired nationally. My father grew up with Kirk & Spock and most people who were children in that generation and had access to a TV know the show, because there was not much else on TV. He's not a nerd at all :)

That’s just not true.

Both TOS and TNG aired in various European countries.

I was never a big Star Trek fan, but here in Sweden growing up I watched episodes of The Next Generation, Voyager, and Deep Space Nine when they happened to be on. There definitely always seemed to be some Star Trek series running in a decent TV slot and everyone seemed aware of it - even if its popularity was eclipsed by that of Star Wars.

From friends and family in Belgium it seems it was somewhat bigger there.

It was aired even in Bangladesh (a tiny country in Asia), and I just fell in love with TNG, and the line: "Space the final frontier ..."

> Hint: it was never big outside of the USA.

Really? I must have grown up in an alternative universe. Star Trek TOS and TNG were aired on our local TV station in the 80s and 90s, IIRC even in the afternoon. I would be extremely surprised if I'd meet a 30+ person who grew up here (European country) and didn't know Star Trek.

With the benefit of hindsight, I'd say that impression is more because every series is very different. TOS and TAS may have been similar to TNG seasons 1 and 2, but TNG got more thoughtful as it went on; DS9 was a very different show to both TOS and TNG, with long-term continuity and changes (beyond casting) that stuck, and far more shades of grey and where outright evil came with a smile and a charismatic speech rather than being a puddle of psychic oil; VOY had almost no continuity, making it the polar opposite of DS9, but most of the characters were interesting enough for a space soap opera; ENT was derided by many when it came out, because all the main plot arcs made no sense and they kept introducing old fan favourites that didn't make sense contextually because series set in the show's future had yet to meet the Borg, the Ferengi, etc. And while I've never seen Prodigy, I'm aware that was trying for a very different approach to exploring the cannon and had its own story to tell.

And famously, only the even-numbered films are any good (which doesn't mean all even films are good, e.g. Nemesis).

In this light: DIS throwing away an interesting premise and then going nuts; PIC being three seasons of "why did the scriptwriters put the Borg everywhere, when the main story is androids vs. Romulans, Q, and warcrimes(*?) against changelings leading to changeling terrorism?"; and the very much more pew-pew-lasers action films of Kelvin**… none of this is particularly shocking.

What's nice (for people like me) is that SNW and LD are both well-written and thoughtful — but again, very different shows.

SNW feels like it is trying to be the best of TOS, TNG, and DS9, even if it does have a bit of fan service with insufficiently justified presence of Kirk (James, the other one is fine).

LD is very very silly, but it works for me — not as a canonical set of events (Mariner is even less suitable a personality for a ship officer than is Burnham, and in the same way I can head-cannon all Q episodes as "Q is actually Barclay on the holodeck having a power fantasy", most of the main four cast feel to me like students LARPing trek on a holodeck), but rather I like it because the tries to "yes, and…" the show's existing cannon in ways that mostly work and the characters are fundamentally decent to each other 95% of the time (and when not, justified).

* Perhaps "crimes against humanity" would be a closer take, or whatever the term should be in a not-just-humans universe

** and Section 31 whose critical response is so low that I forgot it existed rather than watch it, and only remembered the existence of when looking at Wikipedia to check if Nemesis was even or odd