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Lessons in creating family photos that people want to keep (2018)

julianpye

There are two categories of family photos:

1) Photos you look at when the subjects are still alive

2) Photos that you remember people by and cherish people for

    1 = are all the typical family group pics, lots of posing

    2 = the photos where the subjects may not even know that they are being photographed, while doing the things they are cherished for by others. Sometimes they might not even like the presented actvities, but everyone else around them appreciates it .

   - Photos of people repairing their family's gadgets
   - Photos of people doing mundane tasks, ironing their clothes, cooking dinner for everyone, being exhausted, reading to others...

    - This is what prevails while people are still alive who remember you. What you will be remembered by. Mostly what you did for other people and how people observed you.
Take photos of your parents and loved relatives during daily life and their tasks. You will be far more moved and inspired by these pics, than by typical family group photos.

Damogran6

I found a harddisk with a ton of ripped MiniDV footage of the kids when they were young. What I value most isn't the kids. Sure, they're adorable and I have a ton of snapshots from them...but it's things like 'oh, we had that TV then, oh, that room still had carpet, man, the trees were really short, oh that really annoying noise the parrot makes? He's been doing it for more than 20 years.'

It's not the subjects, it's the context that is cherished.

MarkMarine

Agree, but the other part of the advice I think is important and maybe even not fully explained in this blog post. Taking great photos is about using great light, this matters more than composition (you can crop in post) in my opinion. Rule of thirds is just a guideline, not a rule, if you’ve got great light and an interesting subject I couldn’t care less where those thirds lines sit. I mostly shoot on an old hassleblad with 6x6 square negatives and I often frame my shots with my subjects in the middle of the frame.

I have also done what the OP is describing, scanning all my family’s negatives. I wanted to devote the amount of time it takes me to scan and color correct a frame to a scant few of the images. My family liked to take “snaps” of places and vacations (think non-descript cornfields or national park visitor centers) and hostage photos of the kids clearly taken against our will.

I taught myself how to shoot on film to learn what I was doing, but going to the community darkrooom was the real education. I learned how good photographers used the light and saw the world by watching them develop and seeing the end product. Photography is just like any other endeavor, you get out of it what you put into it. For your kids and your kids kids, don’t just put into it some AI-computationally adjusted selfies and snaps of the tops of kids heads. Put some effort in, figure out what good light is, and take candid photos.

j4coh

Might depend on your personality a bit. Basically all my favorite photos of lost relatives and friends were taken on awful cameras by people with no knowledge of lighting or composition for that matter. The photos (to me) are valuable for a wholly different reason, it never even occurred to me until this moment that they were probably bad photographers.

lukan

Yup, the best pictures I have, are those snapshots of real life action. Not the super prepared professional ones requiring set up (we also have those, my sister is a photographer).

close04

> and take candid photos

This is probably the best way to get a good photo regarding the people in it. Composition, lighting are important as far as they make the picture "readable" if what you're looking for is the memory of the person. You'll still look kindly on a dark, blurry photo of a very authentic moment rather than an exceptionally well composed photo that's so staged you can't match it against the person you knew.

Staged photos aren't all bad, they're just usually unrealistic if you knew the people. Many group photos have a bunch of upright poses and stiff faces that maybe those people never had naturally. So you recognize the face but not the person, it's not the memory of them you would keep.

If you want to capture the memory of a person, take photos of them doing whatever they were usually doing, with their usual expression, lighting and composition be damned.

MarkMarine

Without going into the 50 different things that go into a good photo, where you position yourself and the light are important. Being technically sound (correct exposure, depth of field) is the floor, then where the light is coming from, its quality and feel, there is a ton that goes into this. This is why Garry Winogrand’s street photography looks so much more powerful than some random person’s photos walking around with a point and shoot.

I agree with you, I basically never take the staged photos (don’t have a self timer on my cameras anyway) but just snapping the shutter when people are doing things isn’t enough. I have boxes and boxes of photos of my family that I’m not even spending the time to scan and color correct because it’s not worth it. The great ones combine good light, technically correct, and an interesting subject.

m463

That's an interesting insight.

I have another probably simplistic insight.

I've gone on vacation and taken photos of the sights. wow, look at that beach/mountain/breathtaking view, etc. Later viewing them, they are usually kind of dull.

But if you put a friend or family member in the landscape, they become 1000x more memorable. keepers. Like your advice, unposed and just in the frame can be more powerful than a posed image.

dageshi

I'm going to take a different view on this.

I travelled a lot circa 2008-10 in and around Asia and recently I've been uploading all those old travel photos to Google Photos simply because every day it randomly pops up pictures from a place I once visited.

Even the bad photos I took back then (I didn't have a great camera) are way better at keeping those memories alive than I would have expected, they may not be the best, but I was there and I took them.

scarface_74

My wife and I started traveling a lot after my younger son graduated and post Covid mid 2021 and we even did the “digital nomad” thing for a year. We still go somewhere to do something around a dozen times a year.

I blog about it. It isn’t for anyone else’s benefit but mine and I doubt I get any traffic to it. It’s more of a public journal. I pay $5 a month for MicroBlog. Our travel season is usually between March and October.

The blog is a much better way to remember trips than just static pictures.

starwatch

I've had the same experience. My new approach is to do a mental check to see if I could get the same picture from a google search. If not then I get out the camera. That in effect compels me to either enjoy the moment, or to include people in the photo to make it unique.

genewitch

Pictures of the Grand Canyon. You can see on Google. pictures of the grand canyon with my kid in the foreground... Pictures of a city nearby. You can find on Google pictures of the city nearby from the top of the tallest building in the city nearby. No. Out my back door if I turn left 10° more than I normally do I'll quickly arrive in a spot no human has stood in for decades. Not in a Google search.

I don't want to claim that maybe it's the surroundings that are mundane, because I don't find that true. One of my favorite films is koyanisqatsi, which is, really, just industrial film of earth. As mundane as it gets.

I suppose I cannot fathom this yardstick you describe.

WalterBright

> Later viewing them, they are usually kind of dull

Yah, I discovered that, too. Now I always try to get a person in the picture.

WalterBright

I borrowed a couple Annie Liebovitz portrait books from the library for inspiration. Lots of good poses in there, rather than the standard straight ahead picture.

My favorite is the one of Bruce Springsteen sitting on his motorbike. I'm going to try and recreate it.

I've seen various photos of Keith Richards. What's amazing is he's not a handsome man, but somehow the photos of him are incredible.

Freak_NL

Leibovitz, not Liebovitz.

ErigmolCt

Is there a definition of "live" photographs in photography? I think taking photos of people while they're doing something makes them "live" in a way

alistairSH

Other comments cover it as well, but generally, you'll see categories like (none are hard and fast, there's overlap, etc)...

- portraits = posed photos with a person as subject - snapshots / candids = what you describe as "live" photos - street = snapshots, but of random people moving about their lives (much of photojournalism falls into this category, where the photographer is doing street photography at an event) - landscapes = photos of the world, where people are not the primary subject, often wider angle - wildlife = photos of animals, often with a very long telephoto lens - macro = "super zoomed in" / close up (technically where the subject is equal or larger than the sensor on the camera)

bregma

Those are photographs. The other kind are portraits.

Incidentally, the word "selfie" used to be an acronym for "self-portrait." Now it refers to any kind of portrait (posed, but not necessarily of the picture-taker), so it has morphed into an acronym for just "portrait".

dsego

Candid photos, snapshots, photojournalism.

DanielBMarkham

I lost all of my photos (along with everything else) when growing up, so taking pictures and videos was important to me as I became an adult.

I'm 59 now. In the 1990s I started taking VHS videos of family events. Sometimes I would walk around "interviewing", sometimes I would walk around and try to normally talk to people while holding that huge recorder. (That didn't work). I even set it up on a tripod and just let the recorder run while my parents and others visited.

This past year I've ripped a couple of dozen DVDs out of all of those tapes. In the past two weeks I've then ffmpeg'ed them to mp4s and loaded on an SD drive and put in a e-picture frame.

Now we have 30-40 hours of "family memory TV" playing constantly in our living room. It is one of the most amazing things I've done with technology. I can't describe the feeling of looking back 30+ years to see folks who are long gone -- or now adults with their own kids!

God I'm glad I didn't record all of this on a cell phone or use social media. It would have been impossible to have the patience and time to scale all of those walled gardens for this project.

Best videos? The "family interview show", where I ask questions and everybody performs some kind of art. Wish I'd done one of those every year. Second best? Just setting the cam up and letting it run. Third place are videos of family members doing things that'll never happen again, like watching a sonogram of a new baby on the way.

Worst videos? As I know (and knew at the time!), a bunch of videos and pictures of things we were looking at that were interesting to us at the time but stuff you could find online in a couple of seconds. Unless it has audio commentary, it was a pointless exercise.

kowlo

Beautiful and inspiring. Can you share the specific e-picture frame you mentioned?

Damogran6

Not the OP, but I've had great experience with Aura frames...Costco sells them each year on the run-up to Christmas.

slumberlust

Thanks for sharing, this is wholesome.

jwr

There is a related problem, which I hit while scanning family archives going back slightly more than 100 years. There is no good photo archival software.

If you now rushed to click "reply" to say that yes, of course there is, right here, hold your horses. You probably do not understand the problem.

Good photo archival software would let me keep my photos in formats that will be readable 25 years from now. It must not rely on any company being in business or offering any service.

It must support storing the same picture in multiple formats. It must support assigning dates to pictures that are not the same as the file date nor the EXIF date. It must support assigning imprecise dates (just a year, or ideally an interval).

It must support storing multiple files as part of the same "image", and I do not mean multiple versions/formats of an image here. Examples: front and back of a scanned paper photo, or 24 scans of a large format picture that are then merged together into a resulting stitched image.

All that information must be preserved in ways that will let me recover it even without any software (e.g. files in the filesystem).

I used many solutions over the years, and got royally screwed by most, the most recent one being Apple shutting down Aperture (which did most of these things pretty well). I am now close to writing my own software.

EDIT: to all those who respond with "just store it as files" — yes, of course they should be stored as files. But that's not an answer. You do want searchability, nice visual access, and other niceties on top of the basic plumbing.

inigoalonso

You should definitely check out Tropy: https://tropy.org/

It's open-source, so no worries about a company shutting it down, and it handles a lot of the stuff you're asking for. It’s designed for organizing and managing research photos, but it has features that fit archival needs pretty well.

Open and future-proof: Metadata is stored in JSON-LD, so even if Tropy disappears, your data isn’t locked up. It doesn’t modify your files either, so your originals are safe.

Flexible metadata: You can assign custom dates (even imprecise ones like "circa 1920" or a date range) and add other metadata fields to fit your needs. It’s not tied to EXIF or file timestamps, which is a big plus.

Related files: Tropy lets you group multiple images (e.g., front and back of a photo or parts of a large scanned image) into a single "item." Relationships are preserved, and you can see them all in the same context.

Search and organization: It’s way better than just dumping files into a folder. You get tags, categories, and a solid search interface to make your archive usable.

michaelt

My photo archival software is jpegs in a directory called 'photos'. Sometimes with subdirectories by date. Backed up however I'm backing up my computer.

For true durability, you've got to embrace the lowest common denominator.

Those rare features you can only get from Software X will lock you into Software X. If you want your archive to outlive Software X, you gotta do without them.

isolli

I miss Picasa, in the sense that, when it was discontinued, I still had the underlying folder structure to fall back on.

pathsjs

I suggest Mylio: it ticks all the things you required, except possibly of `multiple files as part of the same "image"`.

It will store everything locally, keep your folder structure, every metadata is inside a sidecar XML, allows for various notions of "date" and more.

Not affiliated with them, just a happy user

jwr

> except possibly of `multiple files as part of the same "image"`

That's actually a fundamental requirement.

antgiant

Technically, you could do this in Mylio but probably not in the way you want.

Mylio stores “Live Photos” as Photo.extension <- the “photo” it shows in the interface Photo.xmp <- all the metatdata Photo.myb <- everything else

Literally the myb is just a zip of everything else associated with the photo. So in the “Live Photo” case that would be the associated video file. If you have edited the file in Apple photos that also includes the XML Apple uses to non destructively perform the edit. As well as a copy of the original photo.

In your case you could just manually create the myb file by zipping up all the associated extra photos and changing the extension. However the interface would only show the single main photo.

smcnally

darktable does all of this. It’s a complex application like Aperture or Light Table. You run it on your own macos, Windows or Linux computer. You can write your own software to extend or change it. Photos.app does most of this sans the Windows, Linux or “write your own” parts.

tomjen3

Sounds like you need to store photos in a folder structure. That’s about as universal as it gets

DavidPiper

This was my first reaction too, but it scratches an itch for me as well - I've thought about making a proper photo archival system many times and just never got around to giving it a shot.

arscan

Great tips in here! And I know this isn’t about videos… but, don’t forget about videos.

I love taking pictures. In particular, candid moment-capturing portraits that reveal something about the subject. Also, technically challenging ones with really long exposures (eg around a campfire), or narrow depth of field (eg of my kids playing in the backyard). I like to think I’ve taken plenty of “good” photos of my family over the years.

But something I’ve found is what I go back to the most are those poor quality, poorly edited, silly little videos I take of my family just living life. I used to avoid video because the outcome was just too hard to control. They would never turn out “good”.

But flipping through my digital albums now, I wish i took more videos. A poor video can capture a lot… maybe even more than a great picture. So I find myself taking a lot more videos now.

prismatix

I gave my daughter a toy camera around age 2.5 or 3 and didn't realize it also captured video. She had unintentionally discovered the video function and has since captured many conversations, photos of our old house, videos of car rides, and loving moments between our family.

She's had it for almost 3 years now and it's been one of her longest lasting toys and is, without a doubt, the most meaningful. It gives "seeing the world through her eyes" a whole new meaning.

_tom_

I suggest backing it up in multiple places.

Electronic forms are so much less durable than physical.

BOOSTERHIDROGEN

What kind of toy camera?

ErigmolCt

That’s absolutely beautiful! It will be so priceless for her when she grows up...

aaronax

I do an annual one-take video around the house with the family, just talking about what has changed. Open cabinets and show what is in them. Talk about what is going on that week and what you are looking forward to. It usually goes for 20-30 minutes.

kmoser

Those videos are destined to be pure family nostalgia gold. I hope you're saving them in a format that can be easily backed up and shared with family members, both present and future.

I also suggest taking a few candid snapshots and putting them into a book at some point. Video is good, but there's something special about a physical album that you can pass down for generations. If you distribute several copies of the books to various relatives, I'd be willing to bet they'll outlast the videos in the long run.

null

[deleted]

ErigmolCt

I think that photos give you a freezing feeling of a moment and that’s what makes them so vital to a person

arscan

I agree, a frozen moment in time is special. But it also doesn’t quite capture subtleties that require the time dimension… e.g.; a quirky speech pattern that was a constant for a year or two but then just disappeared.

mikewarot

If you just start taking photos (with permission) and keep taking them eventually your subjects will get used to you being there and start acting normally again in most cases. It doesn't cost anything to take photos, except your time, so just keep spamming the trigger. Each exposure is a chance at a good photo, for the most part.

The thing about family photos that's most important is to have THE NAMES of everyone in the photo, not "mom" or "lucy"... actual full names, so that someone in a generation or two can actually understand who is who. My wife's family had that... but then the photos were ripped out of the album, and all context was lost. 8(

As much as possible, I've got every face tagged in my photos so sproutlet has something useful when the time comes.

Pooge

> It doesn't cost anything to take photos, except your time, so just keep spamming the trigger

This, this, this, and this!!!

My mother is the one that takes the initiative of taking pictures of people during events (whether important or just small outings). What she has a hard time understanding is that you must spam the trigger. She tries to frame the picture perfectly, and everyone on their most photogenic faces. Then, she takes ONE shot and oh... somebody closed their eyes a bit. "Let's go for another one, everyone go back in place!"

What she doesn't understand is that the best and most memorable pictures isn't the one where people are smiling straight into the camera. It's when people are doing something they enjoy and don't even notice the camera and don't do a perfect model pose.

I'm lucky if I delete only 9 of the 10 photos I took!

wrboyce

I’ve actually found a lot of benefit in the exact opposite. I started shooting film which does have a pretty big cost per trigger press and it has forced me to consider each shot a lot more.

For me, I found having hundreds of photos on my DSLR’s SD card a daunting task and the raw photos would sit for months before I’d get around to reviewing them (if I even bothered at all).

Sitting down and spending an evening developing/scanning/converting negatives, however, I find rather enjoyable.

To each their own; I think the important thing is to find a workflow that works for you so you can capture as many memories as possible!

Pooge

For most people, taking pictures is done with their smartphone - which is good enough, right!

My view is that striving for a perfect shot is counter-productive as you will better reminisce the memories by having taken a random picture of someone doing a goofy thing with a weird face.

I usually take 10 seconds after taking the pictures to discard those that don't deserve to be saved. In contrast, my mother, who strives for perfect pictures, has a lot more duplicate pics than I do.

larusso

I can understand the sentiment not to add extra work of scanning pictures of items that have seemingly not changed over the years. But I personally find these pictures interesting. I love to look at old pictures of say a square or a street and see how much or little has changed. I guess it depends on the viewer but I hope my kids don‘t feel the need to dump the hundreds and thousands of pictures of things they’re not a focus of. But I agree 100% on the non staged photo motive part. I took a lot of photos of my kids over the years and other people asked me to do the same for their kids. With the question why the fotos looked so good. I always explained my two secrets. 1. Go down to the same level as your kid. Most parents snap pictures of their little ones from above. This looks like a screenshot from the eye. The different perspective to see a kid how another kid sees it is more fascinating. 2. Don‘t Stage the Fotos. Try to capture interesting moments. You may have to lurk or wait. If you know the person well you get a feeling when a certain emotion will show on their face. That is something a staged photo won‘t give you. Doing group photos like this becomes more and more difficult of course. And when kids age they become more and more aware of the camera.

ErigmolCt

A casual tourist photo can unexpectedly capture fascinating layer of history of the place...

genewitch

My wife and I* scanned 4000+ film prints with an Epson scanner I bought in frustration at not finding a well regarded negative scanner. It took a weekend. They're untagged except by any writing on the film packs or the photos themselves.

It isn't that big of a deal. I'd do it for pay for other people if someone absolutely needed it, but it isn't that hard. 100GB including the static gallery site I set up, currently in glacier and on two NAS.

wrboyce

Too late now I assume, but I use an OpticFilm 8300i and it is great (software wise I use VueScan and Lightroom paired with Negative Lab Pro).

dano

There was a similar journey for our family after our parents passed and indeed, the photos with people doing ordinary things are the ones we share and enjoy. The Grand Canyon has a way of looking the same now as it did in 1955 and so those photos were discarded. Five boxes of photo albums were examined and the photos to keep were cut out and sent to be digitized organized by year and topic. I am glad someone wrote about their experience and the tips that come from having spent examining a life well photographed.

cm2187

I second his opinion. No point to take the 15 million's photo of the eiffel tower. Loved ones of course. But also the street! What I find the most interesting in old family pictures is a window into how people I know, or only apart by only one degree of separation, lived at a completely different time. What seemed mundane at the time is often the most amusing a century later. That's also what I like in old movies. Like just the streets of Paris in the early 70s look foreign to a modern eye. Hardly any traffic, you could park anywhere, hardly any advertising boards.

pbhjpbhj

>No point to take the 15 million's photo of the eiffel tower. //

One proviso to this - it's a travel record.

The next picture is a couple standing at the door to an apartment... but where is it... 'oh yeah Paris; your mother and i visited college friends. Forgot we'd even been there'.

Sure, way better with a person on the frame, but recognisable landmarks can still have utility in a photo collection.

I was working through my parent's slides and found pictures of St.Marks square -- didn't even know they had been to Italy.

alistairSH

Absolutely.

For capturing memories, try to think about photos in small series... Family at a Metro stop Generic Eiffel Tower photo Family at Eiffel Tower Family eating a baguette walking down a random street Etc.

As you say, they all provide context and often tell more of a story than a single candid of the family.

ghaff

I agree with most of that.

After doing some in-house scanning I sent a bunch of stuff out. At the time, there was a company in CA that put stuff on a pallet to India. A bit butt clenching but it was great and I wrote a review for CNET where I was in the Blog Network at the time. https://www.cnet.com/tech/tech-industry/reviewing-the-result...

Was probably more selective than you. And agree that a lot of the day-to-day stuff outside of the house in particular simply wasn't recorded. No photos of my mother's chemistry lab for example.

I've thrown a lot of stuff out but could probably get more scanned but not sure after looking at it if another pass is worthwhile.

CharlieDigital

If you can, get yourself a DJI Osmo Pocket 3 and a drone.

Completely transformed our catalog of memories. When you weave scenery with experiences and people, something magical happens.

Our recent trip to Taiwan: https://youtu.be/7LWxVzZco0A

Damogran6

Drones are one of those things that _should_ be something I dig...but I never seem to pull the trigger because it seems like a big imposition on the other people in the same space experiencing the same things you are. Moab was a great example of that...we're out hiking on the 2nd or 3rd most popular trail and there's the constant wine of a drone _up_there_...you can't see it, but it's there, and somebody thought it was okay to use it.

Youtube/TokTok/Insta folks are similar. I'm at Mesa Verde and this guy is getting cranky because he can't get a picture of the sign, because people have the nerve to actually be there...and those people get to hear him take the 4th take of his intro...."what's up youtube"

prawn

I have six drones, an Osmo Pocket 2, Insta360 Go 2, GoPro, etc but I barely use the pocket cameras because the workflow to extract content for day-after story-telling via phone feels quite tedious. If you were only going to ingest footage post-trip and make a piece (as per the YouTube example), then I think it's less painful. A decent phone with good stabilisation can handle that though.

That said, two advantages for the Osmo Pocket:

  - footage is not clogging up your phone storage, which can be particularly annoying if you are often unable to backup to the cloud
  - it is literally pocket-sized, a nice form-factor compared to GoPro, and pretty quick to get out and use.

CharlieDigital

    > A decent phone with good stabilisation can handle that though.
The Osmo Pocket 3 has much better low light capabilities owning to the built in gimbal compared to even top end phones (a couple of good vids on YT comparing them).

The ability to offload to removable SD is huge, especially when shooting 4k@120fps.

By the time you add a gimbal and external storage (on iPhones, only the highest end phones), that rig is pretty unwieldy!

rawgabbit

I heard a lot of good things about the DJI Osmo and their action camera. I have been reluctant as they require you to install an app to use their products?

CharlieDigital

No app required; you can bypass the registration of the cameras. Drone is a different story; I think you have to register that (can't remember).

WhyNotHugo

Recent models will brick themselves after a few shots if you don’t do the online registration and activation process.

jajko

Drones are illegal without prior registration in most tourist destination we can reach with small kids in Europe, some of them just dont allow them at all. They are extremely obnoxious, 1 person recording annoys hundreds of others, pretty selfish behavior. They scare wildlife badly so it ends up dying on cliffs. No love nor respect for that, quite the opposite.

I've had one of smaller DJI ones, but reality was, when looking back, even with simple quick recordings I was annoying to rest of the family since it takes a lot of time to set it up, fly, and put it back again. I've donated it to Ukraine army cca directly when russia started the war, hopefully they did put it into good use.

Make great memories, sure, but do it with respect to others and laws.

aikinai

That sounds amazing, but how many places can you actually use it?

CharlieDigital

Surprisingly many.

If the area has a no drone sign, I won't use it. If it has an active denial in the app, then it can't be used without authorization. I've only run into two of those places while at the south of Taiwan (turns out there were power plants nearby).

But honestly, the drone is best for remote places to begin with, IMO so it tends to work out for my use cases.

8fingerlouie

Our photo library currently consists of 300,000 photos. It goes back 20 years, and while i would like to say it is curated, the sheer amount of photos makes that task pretty much impossible.

We take a lot of photos, both of family/friends/pets, but also landscapes and nature, and when curating the photo library, i often find myself deleting the landscape photos of 10 years ago. We don't need to keep 200+ photos of sunsets. Yes it was a pretty sunset, but there are hundreds of those every year, and unless it includes photos of our family or something else "special", the photo doesn't stand out, and will eventually be a candidate for being deleted.

I just finished the years curating, and have deleted almost 60,000 photos from the library. Sunsets, blurry photos (that doesn't have any other value), screenshots, and lots more.

Eventually i will however have to curate it even more. When our kids eventually "inherit" the photo library, they'll most likely be overwhelmed by the sheer size of it, and simply discard it. On the other hand i don't want to leave them without photos of their childhood, and who's to say what matters to them as memories.

cm2187

If you can code, you can run them by AWS rekognition to do face recognition. It works amazingly well (you need a score >98 for a match). Where I am impressed is that it is also remarkably resilient to faces aging, and in some case identify some toddlers from an adult face. In your case if it only goes 20 years it is maybe less critical, but in my case I have photos going back to late XIX century, and good luck guessing who was that toddler without a legend!

disgruntledphd2

Hilariously, Google photos is really bad at this. It's decided that my daughter and I are the same person, and refuses to let me update this (i keep trying and it keeps getting set back to my name).

austin_y

I had a similar experience with Google Photos where it merged the "profiles" of my two children. Like you, I tried separating them back out manually, with no real success. Ultimately, I turned the face identification feature off entirely (which has the effect of deleting all of the face data), and then turned it back on. It took a day or so for Google Photos to start re-indexing the photos in earnest, but that fixed the issue for me, and it was less work than the manual re-tagging that I had tried before.

torbjornbp

I'm in the middle of a similar project but using a mirrorless camera with a macro lens and a repro stand.

I second most of this, but would like to offer a different opinion about triage. In my experience, doing the triage often takes as much time as digitizing the slides. "Mindless" mass digitization where I just optimize for throughput has been a good strategy for the collections I've worked on.

Instead I'm more careful of what I choose to post process after I digitization. I haven't been throwing much away yet, I usually just don't process the stuff I don't find interesting. Storage is cheap these days.